mycontinent: North America
My IP Plug: 3.226.251.205

Hey there! You have free access to great documentaries thanks to your library.

Check if your institution already
has streaming access

Name of School / University


Looking for the perfect film for a class or campus screening? Let our team of expert recommend the right film for you.

Fill out the following details, and we will be in touch ASAP with our film recommendations.

REQUEST A TRIAL

  • This field is for validation purposes and should be left unchanged.

Chris Berry

ChrisChris Berry is Professor of Film Studies at King’s College London. In the 1980s, he worked for China Film Import and Export Corporation in Beijing, and his academic research is grounded in work on Chinese cinema and other Chinese screen-based media, as well as neighboring countries. He is especially interested in queer screen cultures in East Asia; mediatized public space in East Asian cities; and national and transnational screen cultures in East Asia. Together with John Erni, Peter Jackson, and Helen Leung, he edits the Queer Asia book series for Hong Kong University Press. Prior to his current appointment, he taught at La Trobe University in Melbourne, The University of California, Berkeley, and Goldsmiths, University of London.

Primary publications include: Cinema and the National: China on Screen (Columbia University Press and Hong Kong University Press, 2006); Postsocialist Cinema in Post-Mao China: the Cultural Revolution after the Cultural Revolution (New York: Routledge, 2004); Public Space, Media Space (Basingstoke: Palgrave Macmillan, 2013); The New Chinese Documentary Film Movement: For the Public Record (Hong Kong: Hong Kong University Press, 2010); Electronic Elsewheres: Media, Technology, and Social Space (Minneapolis: University of Minnesota Press, 2010); Cultural Studies and Cultural Industries in Northeast Asia: What a Difference a Region Makes (Hong Kong: Hong Kong University Press, 2009); TV China (Indiana University Press, 2008); and Chinese Films in Focus II (British Film Institute, 2008).